This series explores the relationship between natural fragility and digital abstraction. The work captures the movement of poppies in the wind, a natural phenomenon that becomes the basis of visual noise.

After photography and vector drawing, the image is fragmented using a pixelation effect (a controlled glitch). This digital fragmentation technique is used to accentuate and record the vibratory movement the wind exerts on the petals, transforming the natural cycle into a dynamic and abstract composition.